“The most personal piece to me was the one in which I did not design anything,” says Demna Gvasalia, speaking from his home in Zurich a little over two months after his debut couture show for Balenciaga, in July, the house’s first in more than 50 years. Like most things with the Georgian-born designer, who has been pushing the boundaries and the buttons of the fashion world for nearly a decade, the statement was a fascinating riddle, both straightforward and enigmatic.
In this case, Gvasalia was referring to look No. 63, a wedding dress with a long, circular train and an evenly balanced veil that was an homage to one created by Cristóbal Balenciaga shortly before his retirement, in 1968. It...
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