As demonstrated by the A/W17 collections, branding is back to assert its place in our wardrobes
The logomania trend, whilst rooted in the excess of the 1980s, truly came into its own during the following decade, as a sartorial response to the US economic boom of the 1990s. Whilst branding initially found its place in fashion as a mechanism to denote prosperity and status, it soon became an aesthetic trope in itself, with Calvin Klein, Louis Vuitton and Christian Dior logos emblazoned on It bags, splashed across sweaters and seductively printed on underwear.
Post-recession, the desire to wear labels in such a blatant manner waned, and a quiet minimalism began to dominate the runways. This season, however, the logo returned with a vengeance to assert its place in fashion history as more than just a crass symbol of wealth. Here, Chloe Grace Press styles a selection of branded pieces, photographed by Tim Elkaim for AnOther A/W17.
Hair: Yumi Nakada-Dingle at Home Agency using Aveda. Make-up: Fir Wang at Atomo Management using Nars. Models: Franziska Bachoven; Sofia Fanego at Silent Models; Dustin Muchuvitz; and Camille Rochand at Girl Management. Casting: TM Casting. Manicure: Beatrice Eni at ASG Paris. Set design: Sophear at Swan Management. Digital tech: Florian Massal at D-Factory. Photographic assistant: Yves Mourtada. Styling assistant: Grisel Clémence. Hair assistant: Fabio Petri. Set assistant: Céline Corbineau. Production: The Collective Shift. Post-production: D-Factory. Special thanks to Upper East Studio and Codimat
These images originally appeared in Autumn/Winter 2017 issue of AnOther Magazine, which is on sale now.